History of Mexico Guitar

Unit 10The Guitar in MexicoObjectivesAt the end of this unit, the assimilator should be commensurate to:A. gripe the history of the guitar and guitar composers/players in Mexico. B. Identify the major guitar composers in Mexico. C. Be familiar with the names of some of the more than than do it pieces of guitar unison from Mexico. Key Terms lowo continuo-- the technique of improvising harmony to a pen bass line. Haydn--Franz Josef Haydn (1732-1809), a real(prenominal) famous guiltless composer from Austria. Impressionism--a style of melody characterized by a rejection of traditional Western- show harmony and freshity. It withal tush have dissonance and unsteady rhythms. counter block--a technique of opposing voices sorrowful in conflicting motion. passacaglia--an Italian or Spanish move form with a repeated theme. This Gigue by Manuel Ponce is performed by Horst Klee. The first guitar believably was brought to Mexico by a monk in the 1700s and it has since become the matter instrument. Although the advanced guitar with six single set up is the predominate form of the instrument in use, on that bill atomic number 18 several some other versions of strummed and draw fretted stringed instruments in Mexico that be of the guitar family. Among them ar jaranas, requintos, leonas, boconas, vihuelas and bajos sextos. They range in size from very menial instruments made of armadillo shells to the very pear-shaped guitarrón. The earliest guitars compete in Mexico were fancy guitars. They typic henchman had five courses (pairs of strings) and were much small(a)er that their contemporary cousins. They were to the highest degree very much used to accompany singers and melodic instrumentalists. However, there is evidence that superstar of the or so principal(prenominal) Spanish guitar players of the baroque era (1600-1750), capital of Chile de Murcia (born, Madrid, c.1682) settled in Mexico and lived there until his expiry c .1740. In the wee 1700s, Murcia was appoint! ed guitar teacher to Queen muck upía Luisa Gabriela, the young wife of Felipe V, King of Spain. Santiago de Murcia arrived in Mexico as early as 1719 or as tardy as 1730. No angiotensin converting enzyme knows the exact battles of his arrival or of his death. What is cognise is that some of his most important arrive at dates from his mag clip in Mexico. The manuscripts for Saldívar Codex no.4 and the Passa shriekes y obras de guitarra por todos los tonos naturales y acidentales (Passacaglias and plant for Guitar for all the Natural and Accidental Tones) date from 1732. His Resumen of the resembling current is considered by umteen the most extensive treatise on freshwater bass continuo, the technique of improvising harmony to a indite bass line. He also produced many arrangements for solo guitar including some of the first written examples of early Spanish dances such as the jácara, mariona, gallarda, villano and españoleta. He also produced the earliest manuscripts of fandangos, jotas and seguidillas, among the most important dances in Spanish culture. Carrying on the European and Asian traditions of melding heathenish styles, Murcia was the first to write pop African-American cumbés and zarambeques. Today, we would call his approach world medicament. Luis de Medina(b 1751; d 1806). Mexican guitar player and composer. He was a native of Puebla, Mexico and, at the age of 19, moved to Mexico City. in that location he performed in comedias and other theatrical productions, as did his two daughters who were singers. His most nonable work is Siana y Silvio, which accredit its première in Mexico Citys main theatre, the Coliseo, in 1805. He excelled in other areas as surface, and servicingd as an control in the Royal Court of Justice. (Russell and Stevenson, 173?4)François de pit was born on August 31, 1775, in the city of Perpignan in s come forthhern France climb up the Spanish border. At the lineage of the French Revolution, de Fo ssa went to Spain to yoke other French officers, Gen! tlemen of the Nobility, known as the Legion of the Pyrénées. At the age of 21 in 1796, he was summoned to serve directly under the Spanish War Minister, Miguel d?Azanza. In 1789, Carlos IV appointed d?Azanza as Viceroy of Mexico and d?Azanza took de Fossa with him. He returned to Spain in 1803 and had a successful legions career until he retired in 1844. He died in capital of France in 1849. Although very little is know about de Fossas practice of medicineal comedy comedy activities in Mexico, he very likely would have played in casual societal settings and would have sought out others for symphonyal fellowship date there. At the time, there were many upper middle carve up and noble immigrants who enjoyed a brisk cultural scene. In rundown to his military career, he was well thought of in musical circles upon his return to Europe and was called the Haydn of the Guitar. He was an accomplished composer and teacher and is credited by Dionisio Aguado with inventing artifici al harmonics, a technique in which the guitarist plucks a string while touching it at one of the node points to make a bell like sound. plausibly his greatest cont laugh atution to the music world is that his copies of the Boccherini Quintets for Guitar and String quad are the further copies that survived the era. Manuel rapeía Ponce Cuéllar (1882-1948) was born in Zacatecas, Mexico and original his early training and captain experience in Mexico. He was primarily known as a composer, but was also a virtuoso pianist and an accomplished conductor. He study in Paris in the 1920s with the French composer capital of Minnesota Dukas where he added Impressionism to his tonal palette. His earlier full treatment were composed in a genteel salon style that he throw out for the more formalized and structured European music of the day. His guide of counterpoint (a technique of opposing voices moving in opposite word motion) was fused with Impressionism along with his nationalisti c style of using Mexican folk music as a starting poi! nt for melodic and rhythmic ideas. The great 20th century Spanish guitarist Andres Segovia inspired Manuel Ponce to write some of his cudgel music. The partnership between Ponce and Segovia produced much of the early foundational plant life of the modern guitar repertoire including one of the most widely performed concertos of the modern era. His many written materials include music for piano, violin, orchestra and chamber music as well many songs. His wrote his most famous song, Estrellita, in 1914 and received only the equivalent of $5 for it from his publisher. Carlos Chavez and Silvestre Revueltas have eclipsed Ponces send out in Mexican music history, but many are approach shot to know Ponces better works and, for now, the jurys out. Carlos Chávez, 1899-1978 wrote only a some works for guitar. His solo guitar output is particular to Three Pieces for Guitar - Largo, Tranquillo and Un poco mosso as well as his Feuille dAlbum. They are very rarely performed in public. Raf ael Adame (c.1906 - 1963) wrote and performed the first twentieth-century guitar concerto. He was born in Autlán de la Grana, Jalisco, Mexico. Jesús Silva (1914-1996), a student of Francisco Salinas was an influential and heartfelt teacher primarily in Mexico and the U.S.

He examine composition with Manuel Ponce and guitar with Andres Segovia and held positions at several prestigious institutions including the National hothouse of medicine in Mexico and the North Carolina drill of Music. Of particular stemma to DCCCD students, he taught several masterclasses in Dallas at the invitation of one of his great(p) students, Robert Guthrie, now head of the guitar prog! ram at Confederate Wesleyan University. Composer, Samuel Zyman of Mexico City, Mexico, has won many coveted prizes and is on the noble readiness of the Julliard School in New York. In attachment to his legion(predicate) works for guitar, he also composes symphonies, film scores, songs and chamber music. umpteen of Mexicos best composers throughout history have avoided the guitar because, as in the rest of the world, it was considered a crude folk instrument not worthy of serious consideration. Fortunately, the classical guitar is accepted in most colleges, universities and conservatories, thanks in good part to the artistic evangelizing of Segovia in the 20th century. Many of the leading guitarists who have made careers ground in Mexico are not native Mexicans. Most notably is Argentine, Manuel Lopez Ramos. There are many virtuoso Mexican guitarists life story abroad. One of several exceptions:Award winning classical guitarist Juan Carlos Laguna is considered one of the mo st outstanding guitarists of his generation. International critics detect his technique and expressive musicianship. Born in Mexico City, Laguna study at the National University Music School where he gradatory with honors and is now a faculty member. In 1991, Laguna was awarded start up Prize at Tokyo?s International Guitar Competition, having competed with over 86 other guitarists from all over the world. He has performed with all leading orchestras of Mexico, as well as in Argentina, rib Rica, Cuba, France, Germany, Guatemala, Italy, Japan, Peru, Puerto Rico and the U.S. Recently, as soloist with the London Symphony Orchestra, Mr. Laguna observe the Guitar Concerto by Lalo Shifrin. German Vasquez Rubio and Abel Garcia are among the more prominent guitar builders from Mexico. For more information on guitar builders in Mexico search on Paracho, Mexico. kit out and boodle CitedLaguna, Juan Carlos. Program Notes. No date. Ophée, Matanya. Guitar And Lute Issues:The On-l ine time of Editions Orphée. hypertext transfer pr! otocol://www.orphee.com . Russell, Craig, ed. Stevenson R., Music in Mexico: a historic Survey, New York, 1952. Groves Music Online. London: Oxford University Press, 2005. hypertext transfer protocol://0-www.grovemusic.com.library.dcccd.edu/grove-owned/music/about.html. Source material for this portal that is not cited is from un-credited program notes and from retention and sources already cited. Suggested ReadingOphée, Matanya. Adame. hypertext transfer protocol://www.orphee.com/madreng.htm . Ophée, Matanya. De Fossa. http://www.orphee.com/defossa/mexico.htm . Ophée, Matanya. Guitar And Lute Issues:The On-line clip of Editions Orphée. http://www.orphee.com . Web LinksOphée, Matanya. Adame. http://www.orphee.com/madreng.htm . Ophée, Matanya. De Fossa. http://www.orphee.com/defossa/mexico.htm . Ophée, Matanya. Guitar And Lute Issues:The On-line Magazine of Editions Orphée. http://www.orphee.com . If you regard to cons ume a full essay, order it on our website: OrderCustomPaper.com

If you want to get a full essay, visit our page: write my paper